It's the most wonderful time of the year! Or so they say. Welcome to my Christmas blog, I'd like to thank you for the year. I'm feeling particularly festive this year and there is a very simple reason why. For the first time since my uni days (seven years, if I must spell it out) I'll be on holiday for the whole Christmas period. My old job would be horrendously busy over Christmas, so just at the point when everyone else was slowing down and chilling out, we'd be busier than at any point churning out the schedules for the festive period at a rate that would ensure we could all take the weekends and Bank Holidays off.
Typically I'd then race up north to see family, hurtle back down again as soon as the trains started up again and then the whole process would start again, we could get ahead enough to have the New Year days off. I don't want to go OTT - after all, we never had to work on the big days themselves - but when you involved the travelling too you'd end up starting January feeling absolutely exhausted just as everyone came back into the office, asking you if you'd had a nice holiday. So this year I've been enjoying the lunches, drinks and parties that little bit more than usual.
Christmas work drinks at the London Transport Museum!
As my new role involves working in advance, our busy period was at the end of November, involving the finalising of the content inside the double-issue behemoth that you all started using on Saturday. This does somewhat take the shine off reading the Christmas Radio Times when it's published at the start of December, which for me as a young telegeek was always the "cue" to start feeling festive. The same can be said of the debut of Christmas idents on television - as with the magazine, earlier than it used to be and less of a mysery than it once was. This year's it's fair to say that the big boys have disappointed somewhat - what with lack of effort on one side and possibly the most irritating promo of all time on the other (who on earth thought that would be endearing?). Who would have thought BBC Two and ITV2 would come out top?
All of which got me thinking. You probably wondered what the smell of smoke was. What's the best Christmas ident of all time? It was a close-run thing, but this is my winner.
I think this is not only the best Christmas ident of all time, but quite possibly the best Christmas-related thing to ever be committed to film. A bold assertion, but here's why:
A complete story is told in fifteen seconds.
That story is wonderfully ridiculous. Why on earth can't the TARDIS get out of snow without the help of reindeers? But somehow it seems right for this much-missed era of the show.
It's perfectly executed. You know exactly what's going on and why. You can almost see the storyboard.
It's amazingly Christmassy.
The composer has seemingly done the impossible and managed to cram some Christmassy twinkles, the BBC One sting and the Doctor Who theme coherently into fifteen seconds.
It captures David Tennant at the height of his pomp as the tenth Doctor.
It's quite possible the final words Tennant recorded in character were "daaaa! wohhhh...woo hoo!" which can only be a good thing.
To anyone who remembers the years when the series was off air, the idea of this sequence being shown before every programme on BBC One for three weeks is....insane.
In a clever bit of planning, the ident was switched for the Tennant-less "news edit" after his regeneration has been screened on New Year's Day 2010. Obvious when you think about it.
I can honestly say those fifteen seconds are better plotted than most of series six.
I'll leave it there or I may be here all night. Let me know if you agree or disagree. Come Friday I'll be off for eleven whole days, and will be cramming in visits to my wonderful in-laws to be for Christmas, Kate's birthday, then over to my family and finally back down to London to host our annual festive bash for uni friends, this time on New Year's Eve. Bring it on!
As a final thought I'll leave you with this incredibly random clip from Children's BBC at Christmas nineteen (nineteen!) years ago.
"Shall we have a bit of a rave?" Kids won't get that with Iain and Hacker.
Whatever you're up to this Christmas, make sure it's a bloody good one.
I don't often do "here's what I've been doing this week" blogs but thought I'd do one about this weekend as it ties in with one of the first ones I wrote back in April. Inspired by a nostalgic perhaps-not-entirely-sober Facebook status update a few weeks ago Tom, Kate and I decided to make our more-or-less annual trip back to York last weekend. I admit it doesn't normally take much to send us on the two hour trip up the east coast mainline but for some reason we were really in the mood for a trip north. East Coast trains were even running a £25 flat fare first class offer - what more encouragement did we need?
Living it up, student-style (not)
It ended up being quite a different trip to most of our other ones too. In response to a random tweet from me musing that it was probably ten years since I'd first visited YSTV (on a University of York open day in October 2001) I'd been told I was welcome to pop back in at some point, and this seemed like a good opportunity to do so. The three of us have been back there a number of times since we graduated (doing the big events for a couple of years, bowing out after the YSTV 40 broadcast), but after all of our friends and friends-of-friends graduated we've not been back to the station at all. So it was really rather lovely to go back inside the place again. It holds so many happy memories, especially so in light of Kate and I getting engaged. We owe a big thank you to Mike and Sam for showing us round, telling us about how the place works now and generally putting up with us in the station and afterwards in Langwith Bar - sorry, The Courtyard (old habits die hard). YSTV is in good hands!
We're back!
It's really interesting to see what's changed and what hasn't. Technology is the major thing. When I arrived it was taking us 15 minutes to render a caption on YSTV's (admittedly ageing) Mac. Now we can record and edit HD video on our iPhones. Suddenly everyone is a TV producer - and not only that but there's a Film and TV department on the new campus. Thankfully so far the effect on YSTV seems to be positive - when it was announced during my time we'd fearer it would result in us losing members and ultimately the studio. However your eyes are naturally drawn to the things that haven't changed at all. Although a few of our old sets have been junked recently the "coffee bar" is still going strong nearly nine years on, and Kate might just have got a little bit excited at finding a surviving splash of YSTV Week purple on the back of one board. They have done some quite impressive work with their sets recently too. Our early days of "dreaded black drape" seem light years away.
"So when's my next Eurovision live link?"
After we'd all had a couple of drinks we wandered up towards URY and (again thanks to Mike and Sam) ended up being shown around by a couple of current members there. The changes there are even more dramatic than over the other side of the lake at YSTV. Earlier this year Studio 1 and 2 were completely refitted for the first time since 1997 and now look completely and totally different from our time there. Gone are the CDs and Mini Discs - it's all hard drives and touch screens now. I honestly would not have a clue where to start. However - it still smells EXACTLY the same. Yep that's right - the smell instantly took me back to walking through the doors nearly nine years ago for my first show and feeling more than a bit nervous!
The all-new URY Studio 1
As I mentioned in my previous blog, I hadn't returned to URY since I left in 2005 so it was really nice to be back - thanks to the current members who gave us a quick tour and let us have a play with the new kit. I spent more hours than I care to remember in that orange studio (which is no longer orange, fact fans), often at the crack of dawn with only my own voice for company. After writing earlier this year about how it was a shame I had completely left that part of my uni life behind, it's funny that in the past six weeks I've met up with a load of fellow ex-URYers (and had such a good time that I couldn't remember getting home) and revisited the studio itself.
Is this one SBN?
So what else is new?
Central Hall goes "undercover"
Goodricke Bar/McQ's is a completely gutted concrete shell. That weird wooden building next to YUSU is gone and apparently the whole area is being re-jigged to provide a more impressive "campus south" entrance. But most importantly - the bar has moved to a new location: a Starbucks/cafe-style area in the Roger Kirk Centre called...The Studio. Which is a bit of an insult to good old Pauline.
Central Hall is completely covered in white plastic...something to do with asbestos apparently. The plan is to take advantage of this for projections should it still be there come Woodstock! My theory is that once uncovered it will finally be an actual spaceship, just to satisfy the campus humourists who have claimed this since the year dot.
Campus is covered in brand new widescreen plasma TVs. The YSTV network up to date? Nope, that's now history after the uni finally bulldozed all the old Rediffusion network. It's YUSU's own initiative, and all they seem to show is a single static caption advertising the union's activities. Now, Inform used to get criticised but congrats to YUSU for putting these all over the place, not screening any YSTV on them at all, and being even less use than ours were. Trebles all round.
Heslington East, erm, exists. It seems to have taken Halfax's role of the place you could quite easily go your entire degree without visiting.
The Courtyard is rather good, in fact it's rather bizarre to see Langwith Bar so busy, or in fact any campus bar so busy at the weekend. But as expected it does seem to have had a detrimental effect on the other bars around campus. JJ's is long gone and B Henry's is said to be pretty much out of us as a regular bar.
York's nightlife is much changed. The change in licensing laws has meant that now anywhere can stay open late, install a dancefloor the size of a beermat and pretend to be a club. Two of YUSU's official student nights are in "pretend" clubs - Vodka Revolution and Salvation (the old Nexus on the row of hell that is Rougier Street). Meanwhile of the old "big four" (well, the only four), Ikon and Diva closed in our final year; Toffs became Tru and then was sold on becoming Tokyo on which the verdict is still out; Ziggy's is apparently only called Ziggy's on Wednesday's student night and hosts all kinds of dubious fare the rest of the week; and Gallery is faced with closure as Luminar are in financial trouble.
The sad state of Goodricke Bar
All in all we had a great afternoon hurtling down memory lane. Then it was off to Toto's, an old favourite, with Rick and Sarah, another two old favourites, followed by Henry J Bean's, whose DJ once uttered the immortal words "big shout out to YTSTV" a few years back. I used to find that place really expensive - funnily enough after six years in London it's a bit of a bargain now!
Finally as inevitable as day turning to night was the Sunday morning 9.30am hungover check-out from Alcuin. We always stay on campus as, apart from being nice to go back, the prices are unlikely to be beaten anywhere else in York on a Saturday night (around £40 for a single, £70 for a double and 10% off if you manage to use the elusive alumni discount which never seems applicable when you're there). However the sting in the tail is the stupidly early 9.30am checkout which, as far as we can gather, is so one poor cleaner can work their way around the entire block in time for check-in at 2pm.
Since most of our friends left York we've settled into a pattern of going back about once a year, which is more than most but we do have a real soft spot for the place, and especially YSTV. It gave me friends for life, a career and the best bit of all...who I'm sure you already know about. Next year will be ten (TEN!) years since we started there so surely is reason enough for another (perhaps slightly longer) return!
Those words will be instantly recognisable to anyone from my age up to around 40 as the start of the title sequence of Going Live! (don't forget the exclamation mark - very important). Those black-and-white clips of men in white coats waving their hands about and turning knobs form some of my earliest TV memories, but it was only many years later I discovered that it was footage of the very first television broadcasts from Alexandra Palace. Last weekend Kate and I visited the very studios where it all began as part of the 75th anniversary of those first broadcasts.
I've always had a soft spot for Ally Pally. I love the way it towers over north London, the way you see it from the train when heading north and the fact it seems to keep catching fire or being threatened with closure only to survive (in fact the pub at the side of the palace was until recently called "The Phoenix"). One of my first visits to London - for some MHP drinks - was at the palace, coinciding with the traditional Guy Fawkes Night firework display (we'd been due to to the same thing the previous year but after Miss World was moved to Ally Pally at short notice we went to a Wetherspoons in Wood Green instead. And there are few more depressing phrases than "Wetherspoons in Wood Green"). Three years later and Kate and I were back at the fireworks after moving into nearby Highgate, and the following year saw more MHP drinks there. Finally in 2008 we moved into our current flat from which you can see the mast from our balcony. I swear the place is following us around.
Naturally we jumped at the chance to have a look around the original studio. Despite continuing attempts to turn it into a kind of "museum of television" it is closed to the public most of the time, with only occasional tours available to small groups. This weekend's tours were booked up within a day or two of being advertised online but being locals we decided to head up to Ally Pally anyway to see the exhibition part of the event. When we got there we were surprised to hear there were spaces on a tour the following afternoon, which we duly snapped up.
So come the following day we were taken through the "BBC Tower Reception" entrance, up some windy, narrow stairs (obviously no health and safety in those days) and into Studio A - where it all began. The BBC stopped making programmes there in 1981 (yes, that late!) so it's just a shell today, but it's impossible not to be slightly humbled at the weight of history that the place contains when you walk in. The Alexandra Palace Television Society have done a good job of displaying a few items to look at when you're there. There's a mock-set for "Picture Page" at one end, lots of information on the walls about the history of the place, a couple of period cameras and a presentation area (surrounded by TVs from over the years) at the other end of the studio.
I have to admit it was bigger than I was expecting - apparently the rooms were originally banquet halls. Certainly it's tiny by the standards of much that can be found at White City, Waterloo and Wembley but I guess what you have to remember is that, in conjunction with Studio B next door, this was where everything happened - production, transmission, and everything in between - for the formative years of the BBC Television Service. When considering the amount of meetings, committees, working parties, consultants and general faffing about it takes to put anything on air in TV today, it's a sobering and humbling thought that these studios and the handful of offices nearby were responsible for a few hours of mostly live television a day, every day, for many years. You can read memories of these pioneering days from someone who was there at the time on Arthur Dungate's website, and the broader picture over at Transdiffusion.
Following BBC TV's expansion into other buildings, Ally Pally's studios became the home first of BBC Television News and then to the Open University, before finally closing in 1981. You can see a picture of Studio A when it closed here. It actually looks quite respectable on the final day of operation so has clearly been stripped of anything of any worth in the intervening thirty years. It's a real shame that the studios sit, if not unloved, then unappreciated and hidden away from view. They deserve better than that.
You can see a panorama of Studio A that I took on my Generic Mobile Phone Device here.
Another blog about a bloody phone. Why can't I think of something interesting to write about? Well to be truthful I did start one about how disappointing the most recent series of Doctor Who was, but I chickened out. It's still sitting in my drafts, I just can't be bothered as it seems that anyone who doesn't like the show this year is apparently just incorrect. Probably no great loss though. My piece was incoherent and didn't explain itself properly, but it was quite pleased with itself throughout. Insert your own joke here.
So following on from my previous piece our new iPhones arrived last weekend. Because we had the temerity to wait until the evening of the first day of pre-order, we had to wait a whole week after release date until they arrived. Shocking I know, but somehow we survived. In order to future-proof myself I was tempted to buy the 64GB version but went for 32GB in the end, as Kate did too. £699 just seemed a stupid price to pay for a phone. £599 on the other hand - not a problem...!
So, thoughts - in bullet point form as it's not worth the effort to write a proper article. There are plenty of them out there, just google the words "awesome" and "shiny" (probably).
Camera - rather good. I may start leaving my actual camera at home. Although from the iPhone 3G you'd expect to see a bit of a jump. You do however learn quickly to turn the thing on it's side when shooting video unless you want your videos to look like those curious narrow-vision clips of people's kids you see all the time on Facebook
WiFi. Probably my favourite new feature, Apple dropped support around July 2010 for this particular user (see my previous blog if you don't get the "joke")
The general speed of the phone is incredible. The 3G model had slowed down considerably over the years (probably due to the software upgrades that it couldn't really support) so the general zippiness of the new phone is pretty impressive.
Equally I'm not sure if this is just the 4S's new features or if it was like this on the 4, but the speed of 3G internet is amazing.
iCloud is a mess. Although I personally understand the concept there is precious little attempt to explain what it actually is to the uninitiated, instead featuring general "USE THIS" vibes all over the phone. I'm now getting prompts to turn on automatic downloads on my phone every time I buy something on my computer. Again, why? If I want to, I will! The same kind of assumption about the audience can be seen in the top headline of the new phone's features. "Dual-core A5 chip". Huh? Oh, one of them. Mum's always said she'd get an iPhone if they put a dual-core A5 chip in it...
Random observation - the new "silent" switch as introduced on the iPhone 4 is much less easy to switch by accident. This is a good thing.
Multi-tasking is great. Finally you can press a link without having to abandon what you were doing in the original programme.
Siri...oh dear. We got off on a bad start when I said my name and it replied "I don't understand 'I'm jealous' ". Some people seem convinced this is the future. Me, I feel like a dick shouting at my phone at home and look like one barking instructions out on the street. It'd be easier if the thing worked - I seem to spent half of my time trying to get it to understand what I've said, and then it would have been quicker to do it myself. It's also a faux pas to launch it in the UK with the message below popping up with alarming regularity. Tsk at us all using "English English", we're so awkward...
Retina display is pretty "wow".
Although truth be told I'm not a big fan of notifications, the new notifications centre is great and long overdue, as is the ability to choose whether they pop up in the centre of the screen, subtley at the top or not at all. One thing they could do with sorting though is the pay-as-you-go balance alert, which has remain the same screen-grey-out since launch three years ago and seems to have been forgotten about. It looks particularly bad in landscape mode:
iMessage is another good innovation, especially with regards to saving money on sending an MMS. There is a bit of a bug though in that if you're on a rubbishy public wifi connection, and try to send a text to an iMessage phone, it just won't send as it can't get it through the wifi. It would be good to have a quick way of reverting to classic SMS functionality (other than turning off wifi).
The battery isn't great. Looking at the forums it seems to be this year's antenna - the bit everyone complains about. You can tell there's something up from this spec comparison chart - 100 hours less standby time than previous models. As a former 3G owner I'm seeing an improvement but not as much as I'd liked.
So what's the verdict? Apple have clearly settled into a pattern of launching an upgrade of the previous phone one year and a newer model the next, and this isn't a bad thing in itself. It was however bad timing for this year to be the year with a longer wait as they shifted the release pattern to the Christmas-friendly spot that the iPods used to occupy, as expectations were understandably high. For the most-hyped aspect to be one that was previously available as an app on all models is a bit of a disappointment. To me, Siri is this year's FaceTime. Nice feature, but can't see myself using it much. Although I hope the battery situation improves either through use or a software upgrade, it's still a superb phone. Despite the gripes I wouldn't use anything else, something I'm pretty sure of after being given a Blackberry for work a few weeks back and it being a completely bloody nightmare to use!
I've always loved Room 101. The Nick Hancock series on BBC2 in the mid-90s was often hysterically funny - I remember one edition in particular with Alan Davies that I must have re-watched the VHS of dozens of times. I don't remember the radio series that spawned it on the original Radio 5, mainly because I was only 7 when it first aired but partly because no-one listened to the original Radio 5 (there's a whole book in why the format for that station didn't work. Sport, children's, school's, youth, comedy, World Service and Radio 3 simulcasts - WTF?).
After three series Hancock moved on and his replacement was Paul Merton. Although his take on the show was consistently entertaining, I found it rather less so than the Hancock years, although perhaps that's only because of the high expectations that Merton encourages. He seemed a lot less discerning on Room 101 than he does on Have I Got News For You, with a more laid-back style than Hancock had displayed. The title sequence seemed to be assembled by someone who had no idea what the format of the show was about (a bucket and spade? some grapes? ice cream? really?) and Merton was far too easily swayed when deciding whether items would be let into the titular room, all too often changing his mind for no particular reason when his hand was on the lever.
That said the show seemed to be popular enough and somewhat incredibly lasted another eight series under Merton. When he moved on in 2007, rather than return with a new host, the show simply disappeared. Which was a shame. It always seemed to have a lot of mileage in it for such a simple formula. So I was quite excited to hear in the summer that it was coming back, this time presented by Frank Skinner, who is a very good choice indeed. Less exciting was the news that the format had been changed to a (whisper) panel show, with (shudder) audience interaction, so with some trepidation last night the wife-to-be and I went to the recording of the first episode of the third incarnation of Room 101. Surprisingly the show has been commissioned for BBC One, which is a bit of a risk considering the changes to the format and the fact it has been off-air for five years.
As we were sternly told not to take photographs at any point before we went in, I didn't, although that didn't stop other people, meaning I can link you to this picture of the new set. Frank sits on the right of the set at a desk with three levers. The three panellists, for want of a better word, sit opposite each next to a small cabinet out of which rises their choice for Room 101 when Frank pulls the appropriate lever. When an item is chosen for entry to the room, Frank pulls their lever again, the item descends back into their cabinet and, er, that's it. There's a slight contradiction in this set-up as it implies that the items were all inside Room 101 in the first place. It's also a lot less satisfying conclusion that the Hancock years' conveyor belt and Merton's trapdoor.
In the new format, Frank kicks off the show with a couple of example choices of his own, and one will almost certainly be dropped or heavily re-edited from our session as it was captioned "The Seven Dwarfs" on-screen, to which Frank commented he would have used a "v" himself. This was bad timing as a later choice, tattoos, was illustrated with a misspelt example. Pot, kettle anyone? There are then three rounds, in which each guest tries to get an item inducted into Room 101. The first two are themed ("people" and "going out" were our two examples). Each panellist has an item they'd like to put into the room, and makes their case to Frank (often with interaction from the other guests), and at the end of the sequence Frank decides which one he will put in. Then there's some audience choices, which were solicited via email beforehand. I'll be surprised if these make it in the final cut as Frank seemed too keen to banter with nervous audience members who clearly weren't expecting to have to say much. Then there's a wildcard round where the guests can choose anything, and finally Frank chooses an overall winner who gets to put in an additional bonus item of their own choice.
Presumably it's only a new format as no-one wanted to commission the old one any more, so let's not be too harsh. It certainly wasn't a disaster and it brought back elements of the original Hancock series, with more of a structure and a competitive element put into the reasoning because the guests were competing against others. The part where Frank decides also allows him to make jokes about why items stay out and why they will go in, which wasn't possible before. Also, having three guests means that there will normally be someone the viewer likes, and hopefully not making them switch off if the guest was someone who simply wasn't very funny as before (Ron Atkinson anyone?). The title sequence is also reminiscent of the Hancock series, whizzing around a vault with lot of items already in Room 101 - including, which amused us greatly, a tweet containing the words "om nom nom". The theme music, whilst new, is similar to that used in the Merton opening.
Although I can see the format working, the edition we saw being recorded wasn't vintage. The panellists were Alistair McGowan (admittedly dropping too many impressions in but as they're so good and that's what he does, fine), singer Josh Groban (who as anyone who saw him on Buzzcocks will know is very good value) and Someone From Dragon's Den. I'm reliable informed it's the new, plasticy looking one who looks like she should be stealing dalmatians, but I really can't be arsed looking her up because to be honest she was the problem with the whole show. She didn't know when to shut up (interrupting a McGowan anecdote about not liking beer with the revelation "I grew up in a pub and didn't like the smell of beer"), crashed people's punchlines and came across as completely unlikeable. At one point she managed to crow-bar a random reference to her many homes into a segment about pets, and when Groban referred back to this later on ticked him off saying she'd worked very hard for her property. Kudos to Skinner for commenting, when her weighty bracelet dropped off loudly mid-segment, said "thank god it was your bracelet, that could have been anything".
Hopefully they were just getting used to the new format because there were also a couple of blunders where Skinner forgot to introduce a guest standing backstage and moved straight onto the next item. There was no reference to it being the first show so I expect they'll launch with a really good episode and put this one out later on, as there were clearly nerves. There were also some unexplained elements - both Frank and the guests sat in front of giant safe/vault doors. Frank's was naturally labelled "101" but the guests' door was labelled "104" - eh? Full marks to our warm-up man Chris Martin (not that one) who effortlessly kept us entertained all night. We often find that the quality of the warm-up is inverse proportion to how funny the show is. We had a dire warm-up for Harry Hill's TV Burp, but a superb up-and coming comedian for BBC3's Grownups back in 2005. His name was Jason Manford!
I really hope it works ultimately. After all, for all that it is derivative of Orwell, Room 101's origin is at the BBC, bringing us full circle. The series is due for transmission in January.
With the launch of the new iPhone just a week away I thought I'd give Apple a hand at generating publicity (they need the leg-up) and share some of my experiences of the device. Caution: contains uninformed opinions and personal experiences you may find tedious.
By the time I get hold of the new iPhone it's likely my current one will have reached it's third anniversary. Given a) Apple clearly want us to buy a new one every year and b) the tendency of the things to pack in or stop functioning in order to make you considering fulfilling a) it's somewhat of a miracle it's lasted this long.
I have a love/hate relationship with my iPhone. It's clearly an amazing device, and it's transformed how I do many things. The biggest of these is probably getting around - no more does the pocket London A-Z sit in my bag, and our 2009 holiday travelling from Land's End to John O'Groats would have been a great deal tougher without access to local maps that the phone provides. That said, it's infuriated me more than any other phone I've owned in the 11 years I've had a mobile, and maybe this is because it promises so much (and indeed delivers when it works).
I bought my iPhone in October 2008 soon after they became available for pay-as-you-go. Since you ask, I've never considered going contract - my £10 per month top up gives me 500MB of data, public wifi, 300 texts and then the £10 credit itself which goes on two £5 bolt-ons giving me plenty of O2 and landline minutes. Given most of my calls are to Kate and my family, this arrangement pretty much covers my fairly dull existence (SIM-only deals allow those with better social lives than mine to do a similar thing). I'd rather buy the thing outright as contracts are just a form of hire puchase but still with a big one-off cost at the start - over £200 for most of O2's affordable monthy tariffs for the iPhone 4. This is a particularly good option if, like me, you're not planning to upgrade for some time.
Kate followed me in January 2009 and got hers rather cheaply through some oddball BBC/O2 deal (yes, I'm jealous). And for a while, we were happy iPhone users. Then came the iPhone 3GS (aka the £500 3 megapixel camera). Neither of us were particularly tempted as it didn't represent a massive change, at least not to simpletons like ourselves. The following year was a different matter. The iPhone 4 was a massive change and boasted (so it seemed) an impressive set of changes to the device. My 3G was starting to show it's age and I did consider upgrading, but weirdly I think the uber-hype and (surely partly planned) supply issues actually put me off. The "death-grip" signal issue didn't help matters, but the icing on the cake was the software update that accompanied the phone which once again was retrospectively applied to iPhone 3Gs.
I don't think there has been a worst "update" than iOS 4 for 3G owners. Unlike previous updates the process seemed to involve completely wiping the phone and then restoring it from backup as if a new device. The process of updating took hours and hours for some reason, so I left it going overnight. When I woke I found a phone that could have just been bought in the shop - pretty much back to factory settings. What had happened is it had failed to restore from the backup it created in that very session, and I couldn't get it to do so no matter how hard I tried. Looking online I wasn't the only one, and in the end I gave up, synced as if it were new and had to get all my phone numbers again from scratch. It turned out I was one of the lucky ones - when Kate updated her phone it did restore but turned it into the infamous "treacle" version of the interface which made daily operation a nightmare. To add insult to injury the software update didn't even change much for 3G owners apart from folders. Whoop.
Unfortuntately Apple weren't interested. One 3G user on a forum I read who took their phone into a Genius Bar was told by a lanyarded-pillock that the second iPhone was "old technology" and problems should be expected. Unfortunately for them it was "old technology" that they were still happily selling as new in their stores until a few weeks previously. Apple were preoccupied with their new phone, which as we all know had problems of it's own. A software update later sneaked out without fanfare correcting the 3G issues they'd denied all along. But then my phone started having trouble connecting to wifi: in fact the wifi bar in Settings displayed "no wifi". A quick Google revealed that this was a problem rather a lot of 3G users had had in response to iOS 4 but had also happened to orignal iPhone owners after the previous year's update. Basically, my wifi chip had been "fried" (for want of a better word) by the latest update as it couldn't handle the demands placed on it.
I decided to go to a Genius Bar anyway despite knowing it was probably terminal to see what their response was, as Apple were known to be quite cagey about the problem, but I wondered if I'd get some of that legendary Genius Bar generosity. Well, not quite - I was told the wifi chip was indeed fried (thanks) but although I was out of warrantt I could buy a new iPhone 3G for £160. That's the iPhone that was no longer on sale to the public. I could have one of the dusty unwanted boxes hidden in the back, and presumably wait for the same thing to happen again. No thanks.
So I decided I'd put the money I would have spent towards a shiny new Sony Vaio laptop instead, which I'm typing this on now. I rather hope the wifi capability on this lasts a little longer than on my iPhone - there'd probably be a bit of a scandal if Microsoft sent a Windows Update out that stopped a key bit of functionality from working. My 3G is really showing it's age now and the battery can't get through an average day with 3G networks switched on. I don't even receive the software updates anymore as the phone is so "prehistoric" (probably no bad thing given what happened last time). We've both been looking forward to getting the new iPhone after not upgrading for two years, but it would have to be this year that the thing gets delayed until the Autumn! Finally with today's announcement it would seem to be very near, and I think we deserve to be front of the queue after waiting for so long. (I'm not actually going to queue, I do have some pride. And a job. Which ironically has conspired to present me with a Blackberry at around the same time). But, to look at the other side of the equation, I can't think of any other mobile that has lasted me three years. I just hope that they're getting better at lasting, as I don't plan to replace the one I'll buy next month for another two or maybe even three years.
Friday was essentially the last day for me in my old job, which as I've alluded to in the past on here has been moved to Leeds (where there is a sister dept already). I've spent nearly two months handing over our duties to the new team, and although the half of the department that takes the schedules to the point they go to press is still in the process of being transferred, Friday was quite symbolic as it was the last day that we will send the final schedules from London (at least on a regular basis) so in a way was the end of an era. Although there have been many, many changes along the way in how we do the role at the core it's still the job I got six years ago and moved down to London for.
The final London team of schedulers
In a twist that you could never plan, the person who is effectively taking on my old job is my brother-in-law-to-be Lee. Talk about keeping it in the family! I spent nearly two weeks at Kirkstall Road in July training the new team. YTV has undergone something of a renaissance since I was last there around the time network production was being wound down - Emmerdale has moved into the main building, Shiver is doing pretty well, the Northern Transmission Centre has had a re-fit AND they've got free Starbucks-style coffee on tap, the lucky gits. They're also a great team who were lovely to me while I was staying up there and I'm very jealous they get to do that job AND live in a cool city like Leeds.
At the end of my two weeks in Leeds. Corporate-signage-tastic
Thankfully all of us in the old team in London have been offered new roles which we've all been gradually moving into over the past month. I'm going to be managing a new "advance scheduling" mini-department aiming to prepare for the more complicated schedules much further out than we do currently. Certainly it will be a very different pace, as one of the old team put it "getting off the hamster wheel". I won't miss having to deliver a plan for twenty-four hours of TV at the end of every day, the stressful Fridays where everyone else is down the pub and you're still stuck in the office for hours trying to get the weekend's schedules done, and most of all Christmas and New Year where you're busier than ever (especially when you try and incorporate trips home to see family) while everyone else is at home eating chocolate. Although we worked office hours it was a curious elongated version of them that meant you just had to stick around until everything was all done, and could never really plan much for Friday nights (although more recently we have had some quite generous "time-back" initiatives). And that's before you even consider everything else that has been thrown at us in the last few years so it's a credit to the team that that the show has been kept on the road. But at the end of the day I've always found it very rewarding to have had such a close hand in what's gone out.
Half-arsed celebrations
So although there's still much to transfer oop north, I was keen to mark Friday because, just to be a little melodramatic for a moment, there has been an equivalent of our deparment in London (in many, many guises over the years) since the launch of our channel 56 years ago. And what better way to celebrate than with Krispy Kremes and not-quite-champagne in plastic glasses? Thanks to the final scheduling team - we couldn't have had a better one and it's been a pleasure working with them - and good luck to the new guys. Now Kate and I are off to the Scottish highlands for a few days. See you after the break.
